Tag: Silver Linings Playbook

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Q&A: Bradley Cooper On Silver Linings Playbook

Paul Brownfield is an AwardsLine contributor. This story appeared in the Nov. 14 issue of AwardsLine.

For Bradley Cooper, shooting David O. Russell’s The Silver Linings Playbook involved a lot of jogging through familiar Philadelphia-area neighborhoods wearing a sleeveless trash bag over a sweatsuit; otherwise, all he had to do was convey the deep inner turmoil of a guy with bipolar disorder who’s off his meds and obsessed with his ex-wife and back in his childhood home after a court-ordered stint at a state hospital. Adapted from the novel by Matthew Quick, the film is at once an ethnically specific family drama, a romantic comedy, and a raw glimpse into mental illness. Cooper says he was as familiar with the milieu of his character, Pat Solitano, as he was fearful about whether he could go to the film’s deeper emotional places.

AWARDSLINE: When did you first see the script?

BRADLEY COOPER: I met David on the phone about another project, while The Fighter was in post. And then that project fell apart, and then he asked me to read (the Silver Linings Playbook) script. Not offering it to me, just asking me to read it. And then it sort of went away, and then I was shooting a movie in Schenectady in September, called The Place Beyond the Pines, and I get a call from him saying, “You know, it looks like it’s opened up and I want you to do it.” And I thought, “Well, aren’t you guys shooting in October?” He said, “Yeah.” I said, “Well, I wrap the last week of September.” He said, “Can you come down on the weekends?” So I did. And then I just drove from Schenectady to Philly—and a week later we’re on camera, and I have a trash bag (on) running down the streets of Philly.

AWARDSLINE: You not only star in the film, you’re also a producer. Was that something you knew you wanted to do?

COOPER: You know, it happened on Limitless. And I sort of realized as I’ve been getting older and more and more into this business that I don’t tend to think like a lot of other actors that I know. And I just love telling the story and how that all happens. So whenever a director will allow me to help them tell that story in other ways than just playing my role, I’ll jump to it. It was a really wonderful collaborative experience on set, and that just kind of bled into the post process as well.

AWARDSLINE: Russell’s reputation as being at times confrontational with actors precedes him.

COOPER: The reputation that preceded him for me was stellar. I spoke to Jessica Biel, who I’d been on The A Team with, and I said, “You know, I think I might do this David Russell movie,” and she said, “Run. Don’t walk to that.” She did a movie that never even came out with him, actually, and she loved him. And then I also spoke with Jason Schwartzman, who’s a buddy, and he could not be more effusive about what a wonderful experience he had with David. So I was going to do it anyway, but it just made me even more excited to know what it would be like. I had an instinct that it was going to be special in that way, and I wasn’t wrong. It’s a very unique way of making a movie, and I would love to do every movie like that.

AWARDSLINE: Meaning?

COOPER: There is no hiding. You’ve got to show up, and you have to be willing to go to emotional places in an instant and get out of your head. (You) give (yourself) over to the process and be dexterous with lines and improvisation, and do lines that he’s throwing at you, and also know that the camera can come on you at any time. He likes to flip to 360, which means that if we’re doing a closeup, he can turn the camera onto you if he wants to, if he likes what’s happening. There’s an electricity that is forged with those things in place, and that brings more real-time occurrences, which is what you dream of as an actor.

AWARDSLINE: The character you play, Pat, has all this pent-up rage. Talk about playing to the hinged part of his rage more than the unhinged.

COOPER: There needs to be a conflict, and his conflict is trying to keep it together. If he’s just unhinged, there really is no obstacle for him: He’s just a free spirit, and his free-spirit state happens to be completely fucking crazy. But this is a guy who’s trying to keep it together and keep his eye on the prize. He’s under the delusion that if he just gets his wife back and he gets his job back, everything’s going to be fine. If he can just hold onto that. He’s white-knuckling it, you know? Despite the fact that he’s living at home, he lost his job, he can’t drive a car, his wife has a 500-yard restraining order out against him, yet he somehow thinks that he can just hold onto this. That’s a guy who’s trying desperately to stay hinged. And he’s not taking his medication.

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Q&A: Jennifer Lawrence on Silver Linings Playbook

This story appeared in the Nov. 14 issue of AwardsLine

Actors go to exhaustive lengths to lose themselves onscreen, whether it’s by extensive research or thespian Method. Then there’s Jennifer Lawrence, who unabashedly admits her lack of formal drama training—an approach that’s paid off for her in spades given her portrayal of strong female protagonists. As the young unstable widow Tiffany who falls for Bradley Cooper’s bipolar ex-high school teacher Pat in David O. Russell’s romantic dramedy Silver Linings Playbook, Lawrence is a firecracker, going toe-to-toe with the Method master himself, Robert De Niro (as Pat’s father) in a hysterical scene where she debunks him of all of his Philadelphia sports superstitions. Since the film’s premiere at the Toronto Film Festival, Oscar pundits are projecting Lawrence to lock her second best actress nomination following her breakout in 2010’s Winter’s Bone. Mere cherries for Lawrence after her turn in March as the brave teen warrior Katniss Everdeen in The Hunger Games, a part for which she was plucked from hundreds of girls. But Lawrence admits to brazenly pursuing roles, whether it’s tracking down her Winter’s Bone director in New York or Skyping Russell from her Louisville, KY, hometown. “There’s my desperation for certain scripts,” Lawrence says, “and desperation reads, and passion comes through.”

AWARDSLINE: You have this affinity for tough characters. Did you find any similarity between Katniss Everdeen from Hunger Games and Tiffany in Silver Linings Playbook?

JENNIFER LAWRENCE: It’s funny, I never thought that Tiffany and Katniss have anything in common, other than they have to do what they have to do and really don’t care what anybody thinks. However, the way they go about it is very different. Katniss would rather not talk if she doesn’t have to in every situation, and Tiffany has more words than there is time. I think great stories follow tough characters. They happen to be the scripts and stories that I fall in love with, but it’s all coincidental. Anytime my agent calls me and starts describing a character, if it’s anything about “strong,” “south,” or “woods,” I can’t do it. I do realize my characters have that in common, but I need to play someone weak and vulnerable (laughs)—go find some pathetic someone somewhere.

AWARDSLINE: Do you know anyone like Tiffany?

LAWRENCE: No, I never felt so much like a stranger to a character. I really didn’t have anyone to base her on or to rationalize what she was doing most of the time. And I loved that. She felt like this strange fascinating being, who even now is a mystery to me. I never felt like I locked her down. She was always growing and changing. And that’s happening as well with the Hunger Games movies and Katniss. One of the biggest things about Tiffany is her fearlessness, and yet she’s also very aware. Most people who are fearless aren’t aware of the worst-case scenario. They’re not aware of the consequences. But she’s both. She’s ferocious, fearless, and she’s aware of everything, and I thought that was fascinating. I wanted to go into the audition with David O. Russell that way.

AWARDSLINE: What discussions about bipolarity did you have with David and Bradley Cooper? I remember David talking about how he was personally connected to the material at the Hollywood Awards.

LAWRENCE: Bradley did a lot of research and really wanted to nail down exactly what his character was dealing with. I never felt (the need to do research). This is coming from a girl who never reads her lines until she shows up and does as little work as impossible because my number-one goal in life is having fun—I’m just kidding. I never felt like the medication or the diagnosis or the disease was in Tiffany’s world. Tiffany didn’t see a bipolar, manic-depressive in (Cooper’s character) Pat, she saw a desperate man who was misunderstood the same way she was, and they were perfect for each other. Bradley did more of the research, and I did more of the “OK, I’m shouting in the street, and I don’t know why” time to go with it.

AWARDSLINE: Does the fact that you’re now a huge boxoffice draw and an Oscar nominee inhibit you from the types of projects you’ll attach yourself to?

LAWRENCE: No, it doesn’t. In fact, it makes things a lot easier to get attached to. I’m still reading the same scripts—$1 indies—as I did before I was discovered in Winter’s Bone. The good thing is, when I fall in love with the script, I don’t have to wait for it to be made. I can find the right people and actually get it made. My biggest problem with Hollywood is that there are these incredible scripts that can’t find funding. And then when I’m driving through Westwood and see the posters of the movies that are in theaters, I’m like, “What’s going on? Why is it like that?”

AWARDSLINE: Harvey Weinstein has been a godfather to a number of actors and actresses. How was he during production?

LAWRENCE: I love Harvey so much. I don’t understand why everyone’s so scared of him. He’s like a big teddy bear. He’s a genius. I get it, if you’re trying to negotiate with him, he’s not like a big teddy bear. (But) I love how he makes movies. He has enough money that he can focus on making something good, and we don’t have enough people like him in this business. He’s the only person in this business who can be on the phone with a director like David O. Russell, and they can yell at each other and love each other and be completely honest. People who are upfront get a terrible reputation. They don’t sugarcoat it, they just tell you the way it is, and I think that’s wonderful and a great thing to be around. Yes, Harvey has given me career advice, and I rejected it and then regretted it.